Welcome — I'm so glad you've joined me here!

I have a 2015-2016 season full of gorgeous repertoire – Strauss, Mozart, and even some Wagner – at some of my favorite houses. I'm a very lucky soprano! 

We just opened the season with Le nozze di Figaro at the Lyric Opera of Chicago, my home opera house. It was such a luxury to be able to sleep in my own bed and make art with fantastic colleagues every day! 

I'll also revisit the Countess this season in Spain, where I'll make my debut in Oviedo, and in my return to the Metropolitan Opera. If you missed our Figaro Live in HD broadcast in cinemas last season, it's now also available via Met Opera on Demand!

Photo credit: Ken Howard / Metropolitan Opera

Photo credit: Ken Howard / Metropolitan Opera

The rest of the season promises to be just as exciting – Der Rosenkavalier at the Lyric, Capriccio at Santa Fe Opera, and Die Meistersinger von Nürnberg at the Glyndebourne Festival. To help me stay connected while I'm on the road, I've entered the world of social media – I'd love you to connect via the icons below!



Amanda is earning rave reviews for her portrayals of the Countess in Le nozze di Figaro at both Lyric Opera of Chicago and Ópera de Oviedo!

Countess Almaviva is Illinois-born soprano Amanda Majeski, who [contributes] some of the opera’s most moving moments and most exquisite singing.
— Chicago Sun-Times
The American soprano Amanda Majeski has a deep understanding of the role of the Countess Almaviva, which imbues it with an extraordinary delicacy. She was much applauded and sang with a Mozartian voice of the highest quality.
— El Comercio
Amanda Majeski’s Countess Almaviva proved the high point of the evening. She inhabited her role in such a way that its essence was illuminated. Majeski exuded a radiant humanity [and] her account of the fiendishly difficult “Dove sono” was notable for poise and polish, luminously sung and launched with a grandly phrased, deeply felt recitative. In a still young career, Majeski has moved from strength to strength...
— GBOpera Magazine


Amanda is featured in the Chicago Sun-Times Best of 2014: Classical Music and Opera list! "Joyce DiDonato and Amanda Majeski shook the rafters and our psyches in Mozart’s La clemenza di Tito..."



Amanda's season continues with a debut in Ópera Oviedo, with her signature role of the Countess in a Guy Joosten production of Le nozze di Figaro. Benjamin Bayl conducts Mozart's masterpiece of mistaken identities, morals, and manners.


Photo credit: Dario Acosta / Opera News

Photo credit: Dario Acosta / Opera News

Amanda spent a night on the town with Opera News for their new "Out Late" feature – read about her adventures in the March 2015 issue.