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On the concert stage, Majeski made her debut with the Hong Kong Philharmonic as Guturne Götterdämmerung conducted by Jaap van Zweden which was released commercially on Naxos Records. She has appeared with the Los Angeles Philharmonic at the Hollywood Bowl in Beethoven Symphony No.9 conducted by Gustavo Dudamel and sang her first performances of Strauss Vier letzte Lieder at Philadelphia’s Verizon Hall with the Curtis Orchestra conducted by Karina Canellakis. She debuted with Sinfonieorchester Aachen singing Berg Sieben frühe Lieder and Mozart Requiem, has been heard in concert singing Agathe’s arias from Der Freischütz with conductor Erik Nielsen and the Civic Orchestra of Chicago and the soprano solo in Mahler Symphony No.4 with the Quad City Symphony. She also sang Gounod Marguerite in concert with Washington Concert Opera under Antony Walker, Bach Magnificat under Sir Gilbert Levine in Chicago, Mahler Symphony No.4 with the Richmond Symphony Orchestra at the Kennedy Center and the title role in Stanisław Moniuszko Halka at the Bard Music Festival. She made her New York City recital debut at Carnegie’s Weill Recital Hall under the auspices of the Marilyn Horne Foundation and returned for her solo recital debut at Carnegie Hall in 2014.


Majeski holds degrees from the Curtis Institute of Music and Northwestern University. She was a member of San Francisco Opera’s Merola Program, the Gerdine Young Artist Program at Opera Theatre of St. Louis, and the Steans Institute at Ravinia. Awards include the George London Foundation Award, first prize of the Palm Beach Opera Vocal Competition, and a Sara Tucker Study Grant from the Richard Tucker Foundation.

During the 2023/24 season, Majeski returns to the Teatro Real Madrid as Marta The Passenger and performs Katja at the Semperoper Dresden. In 2022/23 she debuted the title role Salome for the Madison Opera and sang Katja in concert with the London Symphony Orchestra conducted by Sir Simon Rattle. Other recent performances include: her house debuts at the Dutch National Opera, as Donna Elvira Don Giovanni, and Opéra de Paris, as Vitellia La clemenza di Tito; a return to the Teatro Real Madrid as 3rd Norn and Gutrune Götterdämmerung; Katya in concert at the Amsterdam Concertgebouw; an appearance with the Madison Opera for the return of its wildly popular Opera in the Park concert; and virtual performances with the Lyric Opera of Chicago and Harris Theater.


Majeski’s 2019/20 season commenced with her debut with the Nürnberger Symphoniker bringing her Straussian expertise to his Vier letzte Lieder conducted by Kahchun Wong. She then returned to Lyric Opera of Chicago, the company that launched her international career, for her house role debut as Donna Elvira in Don Giovanni, followed by Hugo Wolf Italienisches Liederbuch at the 92nd Street Y, alongside bass-baritone Philippe Sly and pianist Julius Drake.

Highlights from her previous season include rave reviews for her Royal Opera House Káťa Kabanová, “If there is a more compelling solo performance on the operatic stage this year than Amanda Majeski’s in the title role of Janacek’s opera, I will need a new stock of superlatives. I unhesitatingly say that you are unlikely to encounter a Katya more profoundly acted than by the American soprano, nor more strikingly sung.” The Times. Her 2018/19 season also included her concert debuts with the Sydney Symphony, Colorado Symphony, Music of the Baroque, and her debut at Staatsoper Stuttgart as the title role in Iphigénie en Tauride was praised as “Amanda Majeski in the title role has a voluminous, clean-sounding and beautiful soprano. She is the ideal person for this role” Kultura Extra, as well as a return to Santa Fe Opera as Fiordiligi Così fan tutte in a new production under conductor Harry Bicket and director R. B. Schlather.


Majeski made her Metropolitan Opera debut on the opening night of the 2014/15 season as Countess Almaviva in a new production of Le nozze di Figaro conducted by James Levine, which was broadcast in HD internationally and on PBS across the United States. Since then, she has returned for revivals of Le nozze di Figaro and Don Giovanni, both conducted by Fabio Luisi, and a new production of Così fan tutte conducted by David Robertson which was a featured HD broadcast in the 2017/18 season. An alumna of the Ryan Opera Center, she made her mainstage Lyric debut with only a few hours’ notice as Countess Almaviva conducted by Andrew Davis. Named “Best Breakout Star” by Chicago Magazine, she has since continued her relationship with Lyric audiences as Vitellia La clemenza di Tito, Eva in Die Meistersinger von Nürnberg, the Marschallin Der Rosenkavalier and as Marta The Passenger, hailed as a “shattering, star-making performance” by the Chicago Classical Review.


Internationally renowned American soprano Amanda Majeski is rapidly garnering critical acclaim for a voice of “silvery beauty” (Musical America), with the Financial Times remarking that “Majeski’s well-rounded soprano ... is so warm and glorious, the singing so outstanding, that she leaves no emotions unstirred.” Having established herself as a celebrated interpreter of Mozart, Strauss, Wagner and Handel, Majeski added a new dimension to her career with her breakthrough performance as the title role in Janáček Káťa Kabanová at Royal Opera, Covent Garden in 2019, which won Best New Opera Production at that year’s Olivier Awards.

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